PreSonus StudioLive® 24.4.2AI: A complete hardware/software mixing and recording solution
December 5, 2016
QSC RMX 850a Two-Channel Power Amplifier
December 5, 2016
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PreSonus StudioLive® 32.4.2AI: A complete hardware/software mixing and recording solution.

$2,299.95


StudioLive® AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.

Computer system requirements:
Below are the minimum computer-system requirements for UC Surface.

Apple iPad
iPad® Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2
??iOS® 7.03 or later
Mac
Mac® OS X 10.8 64-bit or later
Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
4 GB RAM (8 GB or more recommended)
Windows
Windows® 7 x64/x86 SP1, Windows 8 x64/x86, Windows 10 x64/x86
Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
Wired or wireless network connection
Internet connection
For Capture™ and Studio One®:
FireWire S800 (IEEE 1394b) port
Internal or external 7200 RPM storage drive highly recommended
Monitor with 1280×800 resolution
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals.

Technical Specifications
Microphone Preamps (XLR Balanced)
Type XLR Female, Balanced
Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced) 1 k?
THD to Direct Output < 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd EIN to Direct Output +125 dB unwtd, +130 dB A-wtd S/N Ratio to Direct Output 105 dB S/N Ratio to Main Output 94 dB Common Mode Rejection Ratio 65 dB Gain Control Range -15 dB to +65 dB (± 1 dB) Maximum Input Level (unity gain) +22 dBu Phantom Power +48 VDC Line Inputs Type ¼" TRS Female, balanced mono Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu Input Impedance 10 k? THD to Direct Output <0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Direct Output 105 dB S/N Ratio to Main Output 94 dB Gain Control Range (±1 dB) -20 dB to +20 dB Maximum Input level (unity gain) +22 dBu Tape Inputs Type RCA Female, unbalanced (stereo pair) Maximum Input Level +22 dBu Auxiliary Inputs Type ¼" TRS Female, balanced (2 stereo pairs) Maximum Input Level +22 dBu Main Outputs Type Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level +24 dBu Output Impedance 100? Aux Outputs Type ¼" TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 100? Subgroup Outputs Type ¼" TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 100? Tape Outputs Type RCA Female, unbalanced (stereo pair) Rated Output Level +18 dBu Output Impedance 100? Control Room Outputs Type ¼" TRS Female, balanced (stereo pair) Rated Output Level +18 dBu Output Impedance 100? System Crosstalk Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu Noise Gate / Expander Threshold Range -84 dB to 0 dB Attack Time 0.02s to 500 ms / 0.5 ms Release Time 0.05s to 2s Expander Attenuation Range 2:1 Gate Attenuation Range -84 dB to 0 dB / ? Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz Limiter Threshold -56 dB to 0 dB / -28 dBFS Ratio ?:1 Attack 20 ms Hold 10 ms Release 20 ms Compressor Threshold Range -56 dB to 0 dB Ratio 1:1 to 14:1 Attack Time 0.2 ms to 150 ms Release Time 40 ms to 1000 ms Auto Attack and Release Attack = 10 ms, Release = 150 ms Curve Types hard and soft knee Parametric EQ Type 2nd-order shelving filter (Q = 0.55) Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB Low Mid 90 Hz to 1.2 kHz, ±15 dB High Mid 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB Q 0.1 to 4 Graphic EQ 31-Band 1/3rd Octave Controls Curve-fitting algorithm Gain/Attenuation ±15 dB Digital Audio ADC Dynamic Range (A-wtd, 48 kHz) 118 dB DAC Dynamic Range (A-wtd, 48 kHz) 118 dB FireWire s800, 800 Mb/s Internal Processing 32-bit, floating point Sampling Rate 44.1, 48 kHz A/D/A Bit Depth 24 Reference Level for 0 dBFS +18 dBu Clock Jitter <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation >60 dB (1 ns in ? 1 ps out)
Power/Environmental
Connector IEC
Input-Voltage Range 100 to 230V, 50-60 Hz
Power Requirements 200W
Temperature Range 0? to 40? Celsius / 32? to 104? Fahrenheit
Physical
Length 21.31″ (54.13 cm)
Width (chassis only) 31.58″ (80.21 cm)
Maximum Height 7.02″ (17.82 cm)
Weight 50 lbs. (22.68 kg)

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